Dance Forums

FAQ / Guidelines / Advertising
Dance Music Guide

Go Back   Dance Forums > Dance Forums > Ballroom Dance
Register FAQ Directory Photos Competitions Search Today's Posts Mark Forums Read

Reply
 
Thread Tools Display Modes
Old 03-10-2010   #11
style
Journeyman
 

Join Date: Feb 2009
Location: Mi.
Posts: 86
Default

Josh's questions,

- Why is your weight on your heels? When you go back your weight should be released from your heels, but overall you should be poised forward over the balls of the feet, as man or lady.

- Why are you sliding your feet? Place your feet on the floor, when taking your first step forward, and your second step, which should also be directed forward. Why sideways?

The answer to these questions is that I tend to rise since it feels natural. By keeping the weight on the heels and sliding, there is no chance of rise.
style is offline   Reply With Quote
Old 03-10-2010   #12
style
Journeyman
 

Join Date: Feb 2009
Location: Mi.
Posts: 86
Default

Thanks for the insightful answers. Tonight I am going to put them to the test and see how it goes. Maybe I am going to one extreme to much with no rise and too much the other way rise. If I read it right, I need to find the half way point between the two.
style is offline   Reply With Quote
Old 03-10-2010   #13
Warren J. Dew
Aristocrat
 
Warren J. Dew's Avatar
 

Join Date: Apr 2004
Location: Somerville, MA, USA
Posts: 1,434
 
Default

Quote:
Originally Posted by Larinda McRaven View Post
By ISTD book definition there is no sway on the reverse turns. But they do list sway on the natural... LSR. RSL.
Interesting - that is different from either of the books I have. If anyone is curious, here's a summary of the sway descriptions (forward half followed by backward half):

Victor Silvester - natural SRR SLL, reverse SLL SRR
Harry Smith-Hampshire - natural LSR RSL, reverse LLS RRS*
ISTD - natural LSR RSL, reverse SSS SSS
*Smith Hampshire lists the sway on the reverse turn as "slight" for the man but has no such caveat for the lady.

I wonder to what extent those are different ways of describing the same thing, and to what extent there are real differences of opinion on how to dance it.
Warren J. Dew is offline   Reply With Quote
Old 03-10-2010   #14
Chris Stratton
Crowned Royal
 
Chris Stratton's Avatar
 

Join Date: Apr 2004
Location: Overlooking NY City
Posts: 9,772
 
Default

Quote:
Originally Posted by style View Post
Thanks for the insightful answers. Tonight I am going to put them to the test and see how it goes. Maybe I am going to one extreme to much with no rise and too much the other way rise. If I read it right, I need to find the half way point between the two.
Amount of rise is more a derived result of what you do than a an instruction you can apply for how to do it.

What you really need is someone who can be quite specific in person about what changes you should make in your body action.

Though I'll repeate the suspicion that making more use of the knees is likely to be a key part.
Chris Stratton is offline   Reply With Quote
Old 03-11-2010   #15
madmaximus
Aristocrat
 
madmaximus's Avatar
 

Join Date: Oct 2004
Location: Between a Feather and a Telemark
Posts: 1,022
Default

Quote:
Originally Posted by Warren J. Dew View Post
<snip>....I wonder to what extent those are different ways of describing the same thing, and to what extent there are real differences of opinion on how to dance it.
Warren,
I think the difference goes beyond describing minutiae about the same thing (as you--I suspect [wink] --know and allude to).

(Personally, I think it is a matter of style and expression).

I would say though, that one dimension of difference (that affects the sway vs. no-sway argument) is the opinion about where the individual axis of a turn is (whether shoulder or spine).

Obviously when the rotation is "spine-centric" the speed of VW kinda tapers the need for sway vs. when it is "shoulder-centered" -- thus the VW sway is a matter of degrees (at least to me).







m
__________________
To dance effortlessly, first you must be able to stand in total stillness.

We spend a lifetime searching for the perfect movement. It is when we find mastery that we realize that they all were.
madmaximus is offline   Reply With Quote
Old 03-11-2010   #16
Larinda McRaven
Site Moderator
Crowned Royal
 
Larinda McRaven's Avatar
 

Join Date: Feb 2003
Location: Boston-ish
Posts: 8,960
 
Default

I am reading this wrong... is there a typo? Or did we just say the same thing?

Quote:
Originally Posted by Larinda McRaven View Post
By ISTD book definition there is no sway on the reverse turns. But they do list sway on the natural... LSR. RSL.
Quote:
Originally Posted by Warren J. Dew View Post
Interesting - that is different from either of the books I have :
ISTD - natural LSR RSL, reverse SSS SSS
__________________
When we see ourselves as artists, we no longer feel the need to impose our story on others or to defend what we believe. We know that every artist has the right to create his own art.~ don Miguel Ruiz
Larinda McRaven is offline   Reply With Quote
Old 03-11-2010   #17
Warren J. Dew
Aristocrat
 
Warren J. Dew's Avatar
 

Join Date: Apr 2004
Location: Somerville, MA, USA
Posts: 1,434
 
Default

Quote:
Originally Posted by Larinda McRaven View Post
I am reading this wrong... is there a typo? Or did we just say the same thing?
I was agreeing with you and providing a direct comparison with the other two sources.

Edit: I should have used a table but was too lazy.
Warren J. Dew is offline   Reply With Quote
Old 03-11-2010   #18
Larinda McRaven
Site Moderator
Crowned Royal
 
Larinda McRaven's Avatar
 

Join Date: Feb 2003
Location: Boston-ish
Posts: 8,960
 
Default

okay... I thought I was going a bit bonkers for a minute there... I am on some pretty heavy meds at the moment and not much is making sense right now
__________________
When we see ourselves as artists, we no longer feel the need to impose our story on others or to defend what we believe. We know that every artist has the right to create his own art.~ don Miguel Ruiz
Larinda McRaven is offline   Reply With Quote
Old 03-11-2010   #19
Josh
Moderator
Feudal Lord
 
Josh's Avatar
 

Join Date: May 2005
Location: Atlanta
Posts: 2,875
Default

Quote:
Originally Posted by style View Post
The answer to these questions is that I tend to rise since it feels natural. By keeping the weight on the heels and sliding, there is no chance of rise.
And by doing this, there is no chance of swing occurring either, which there most definitely should be. Keep your knees comfortably flexed, do your footwork, and swing your body, emphasizing the "1". You WILL rise--but your intent should not be to create rise by pulling feet together and developing a rise as in waltz, because you have literally half the time.
__________________
[Only registered and activated users can see links. ]
Josh is offline   Reply With Quote
Old 03-12-2010   #20
Angel HI
Moderator
Lord
 
Angel HI's Avatar
 

Join Date: Jul 2007
Location: Approximately 150 yards from the beach
Posts: 4,122
Default

Quote:
Originally Posted by Josh View Post
And by doing this, there is no chance of swing occurring either, which there most definitely should be. Keep your knees comfortably flexed, do your footwork, and swing your body, emphasizing the "1". You WILL rise--but your intent should not be to create rise by pulling feet together and developing a rise as in waltz, because you have literally half the time.
Agreed, and this will also naturally result in sway enhanced by rotation. One can intentionally not sway by holding one's self erect.... but why?
__________________
"The most elusive and beautiful part of the dance is the movement within the stillness" "Angel of tango, guide and guardian, Grant to me your glory; Angel of tango, hide no longer, Secret and strange angel."
Angel HI is offline   Reply With Quote
Sponsored Links
Banners
Reply
Thread Tools
Display Modes



All times are GMT -5. The time now is 04:24 PM.


Powered by vBulletin® Version 3.8.1
Copyright ©2000 - 2010, Jelsoft Enterprises Ltd.